“La Marseillaise” – France National anthem French & English lyrics

“La Marseillaise” (“The [Song] of Marseille”; French pronunciation: [la ma?s??j?z]) is the national anthem of France. It was written and composed by Claude J…

This title is available as instant sheet music download: Claude Rouget de Lisle: La Marseillaise (French National Anthem)

La Marseillaise, French National Anthem (Fr/En)

La Marseillaise is the French National Anthem. This video includes the song and subtitles in English and French. La Marseillaise est l’Hymne National Françai…

The Garfield Opera symphony? I wanted to know that what symphony was in the “Garfield’s Opera” episode of Garfield and Friends.I can’t there is no video on YouTubeI found the episode the song starts at 1:10.edublogs.tv/play.php?vid=1395

Ponchielli (La Gioconda) sheet music is available for downloading in digital format.

Does anyone know what music has been used on the new British Gas advert advertising their on-line services?
Opera songs? What are some opera songs written for contralto?yeah i no glitter and be gay is for a coloratura soprano
Please don’t take all replies seriously. Everyone knows that Glitter and be Gay is for a coloratura soprano. (stratosphere high notes.)Contralto is the polar opposite for altos. There are beautifully written arias for contraltos in opera anthologies. i suggest you go to amazon.com, or sheetmusicplus.com and search contralto arias. They’ll surely pull up volumns of suggestions and books of all sorts! hope this helps!

If you want to contact me, I have a whole lecture on the difference between “Contralto” and “Mezzo soprano”.A few nice ones that are REALLY for contralto:Gluck-Che faro from Orfeo ed EuridiceHandel- arias from RinaldoMenotti- Lullaby from The Consul

Voci di donna from La Gioconda is a beautiful contralto aria. The role of Ulrica in Un Ballo di Maschera is a great contralto role, sung famously by Marian Anderson in her only Met appearances.

The following is a list of examples of contralto roles in the standard operatic repertoire. * Auntie, landlady of The Boar, Peter Grimes (Britten) * The Baroness, Vanessa (Barber) * La Cieca, La Gioconda (Ponchielli) * Erda, Das Rheingold, Siegfried (Wagner) * Katisha, The Mikado (Gilbert and Sullivan) * Klytemnestra, Elektra (Richard Strauss) * Maddalena, Rigoletto (Verdi) * Malcolm, La donna del lago (Gioachino Rossini) * Mary, Der fliegende Holländer (Wagner) * Olga, Eugene Onegin (Tchaikovsky) * Orfeo, Orfeo ed Euridice (Gluck) (trouser role) * Lel, The Snow Maiden (Rimsky-Korsakov) * Didone, Egisto (Cavalli) * Pauline, The Queen of Spades (Tchaikovsky) * La Principessa, Suor Angelica (Puccini) * Ruth The Pirates of Penzance (Gilbert and Sullivan) * Ulrica, Un ballo in maschera (Verdi) * Widow Begbick, Rise and Fall of the City of Mahagonny (Kurt Weill)

what is the opera name? i have heard an opera in the “no reservation” movie that nick(the mala actor hear it in the kitchen with the pregnant lady do you know what was the name of the opera?
There are aria’s from different opera’s in the movie. All romantic Italian opera.Madama Butterfly, PucciniGianni Schicchi, PucciniTurandot, PucciniLa Gioconda, Ponchielli.Aida, VerdiRigoletto, Verdi

Simpsons Episode ‘Hello Gutter, Hello Fadder’? When homer bowls a perfect game, and the 300 balloons are being lowered, which classical piece is playing?
I cant find this piece of classical music? There is this piece that is popular and is for stringed instruments (i assume, i havent heard the whole thing.) and it sounds as if it is from the classical era.it might be mozart but im not sure nor can I find it. It is in the key of F major and it has a duple meter time. I know the first few notes that are sixteens (or eights depending on the time signature im not sure) but it is A-Bflat-Bflat-C (rest) D-F-F-E.it is in a rather moderate steady tempo and it is a beautiful piece.I just have kno clue wat its called tho 😦
I’m not sure. but it sounds like.Dance of the Hours? from the opera La Gioconda by Amilcare Ponchielliyoutube.com/watch?v=W3ILbnHhAzkfrom 2:01sorry if I’m wrong :S

What’s the name of the music? uuuh it’s on this video. I think I heard that song on Fantasia when I was a boy. Any help?youtube.com/watch?v=pVo6szYE13Y
Dance of the Hours (Italian, Danza delle ore) is a short ballet from Act 3, Scene 2 of the opera La Gioconda composed by Amilcare Ponchielli.

Any suggestions on a good but not overused duet from an opera for a Mezzo and Soprano? I am performing in an opera concert in about two months, and everything is pretty much set EXCEPT.the soprano and I are trying to find an upbeat duet from an opera that is not used 500 times, but is easily accessible for the first number. We looked into doing the duet from Rinaldo “Fermati, No crudel”, but we can’t find the daggone thing anywhere since the opera is rarely sung (especially that duet). We found the score, but who wants to pay 50 dollars for one duet? She is a lighter lyric, and I am a heavier lyric mezzo. It would be nice to have something from the Baroque period, but it isn’t necessary. We are both seasoned singers, so advanced operatic suggestions would be great as well.Please, no Sull’aria and please no Lakme. We are so tried of those two duets that we would ALMOST rather slit our wrists. LOL! Any suggestions would be greatly appreciated. We plan on finalizing our decision this weekend. My brain is gone and I can’t think of anything fun and upbeat for us.Thank you guys for the awesome answers. You know Lynn, I never thought about the Merry Wives of Windsor (slapping forehead).Snide.I cannot thank you enough. I got on that website and there it was. I found the duet and sent her a copy via e-mail. And Lam, don’t be so down. Mezzos do have some great roles. We have Delila, Rosina, Charlotte from Werther, RInaldo (of course), Hansel, his mother, or the Witch, Azucina, Edwige, Dorabella, Augusta, Leonora, and more recently Margaret Garner just to name a few. Its the contraltos that get the raw end of the stick, and most mezzos sing those too. The only thing about Mezzos is that we are usually the skany types, evil, or someone’s mom. Which actually I enjoy doing on stage. LOL!
well, if you would consider a sidestep to belcanto, what about either the Norma/Adalgisa duet ( Norma, Bellini) or AnneBoleyn/ Jane Gray ( Anna Bolena,Donizetti)?there are other Händel operas where the mezzo is a trousers role for the no longer extant castrato. I think Xerxes comes under that heading, and there’s a really great duet for Xerxes and Amastris.to jump a couple hundred years, the opera Arabella by Richard Strauss has a to-die-for duet between the sisters Zdenka ( sop) and Arabella ( dramsop but not out of the range of a mezzo) Comes towards the end of the first act, and starts with the words Aber der Richtige.If you want upbeat, can you countenance first act Hansel and Gretel?Where they get into the Griesgam, hinaus! section. If you are singing and dancing, you wind up happily out of breath. Get your pianist to give a final chord, otherwise, you’ll run straight into Mother’s entrance.Dorabella/Fiordiligi ( Cosi, Mozart)it’s late here too otherwise I’d be glad to think up others.Is there a copy of Rudolf Kloiber’s Handbuch der Oper in your music library? You’ll find lots in thereOh last minute brain storm- first act duet fromNicolai’s Merry Wives of Windsor between Mrd. Ford and Mrs Page. lyric col sop and lyric mezzo. Very upbeat. Good show opener. where is my brain??

I think you could find a nice excerpt for Sophie and Octavian from Strauss’s Der Rosenkavalier. Would the “Flower Duet” from Madama Butterfly be out of the question?BTW, you can find a Handel Rinaldo score online for free here.

Flower Duet from Madama Butterfly? I nearly died laughing at that. Usually when people say Flower Duet they mean the Lakme, and then I realised that it was “Tutta la primavera.””Fermati, No crudel” would be great. Maybe you could borrow this from a library/music conservatorium, and just photocopy the pages. (I know thats not really advisable but that would be such a perfect song for what you have described.)“L’amo come il fulgor” from La Gioconda (Ponchielli). It is a bit overdone, but not like Sull’aria! Bacarolle – from the Tales of Hoffman. over done but awesome.Mira Norma from Bellini’s NormaOr the most awesome duet ever! “Via, resti servita,” from Le Nozze di Figaro. Another good Mozart duet is A guarda sorella, but that is really overdone, and the mezzo doesnt come in until halfway through the song! Grrr. Sopranos get everything.Hmmm. Baroque stuff. There is plenty of Baroque repertoire that would be appropriate. (I am counting Gluck as baroque, he isnt but oh well) I am just looking at one of my favourite music books “Opera Duets for Two Female Voices and Piano” I googled it and found this: sheetmusicplus.com/store/smp_detail.html?cart=345029784582657869&item=980399&lc=recs:detail&cm_re=detail-_-recs-_-link4In this book the best duets for you would be:Ricordati Mio Ben from Flavio (Handel)Komm, und vertrau meiner Treue from Orpheus (Gluck)Things not in that song book:Pur ti mio – from the Coronation of Poppea (Monteverdi)How about something from Oratorio?Laudamus Te – Gloria (Vivaldi)Prepare then, Ye immortal choir – Semele (Handel) (This one is good, as it is a secular oratorio, more like opera)EDIT:Ok. good roles, but like that saying “we get to play: witches, bitches, and britches.” Its true, and annoying. (But I adore Rosina, Cenerentola, Griselda, and Azucena!)

Rinaldo was the first Handel opera to be “revived” in modern times, and has proved most popular, and is firmly established in the repertory. It is being performed many many times this year in Britain as we celebrate our famous musical guest. it was on the wireless only the other day!try something from Dido if you want baroque.

Alle Piu Caldé from Semiramide. Look it up on YouTube perfomed by Monserrat Caballe and Marilyn Horne is awesome.

Definately the flower duet from Puccini’s “Madama Butterfly.”Listen to this; my favorite rendition!youtube.com/watch?v=El-9taF_Lwo”Tutta la primavera?” It’s always referred to as the flower duet and is best when it’s started at “Il cannone del porto” or “Una nave da guerra.”

Baritones and songs for them? Hey I’m a baritone, starting to learn more and more about singing and piano and beginning guitar in a couple of months. I have a problem: I need an idol to follow. I mean, I’ve been a fan of Andrea Boccelli ever since I was five, but when I’d try to sing his songs I’d just get off-key at the high notes, and be better than him (no offense) at low ones. I would like to know of a Baritone to which I could look up to, and of whose songs I could eventually sing.More details: I’m fifteen and my voice is prematurely stable, but there is a possibility of my giving out perfect soprano notes (though my teacher doesn’t want me to.And I can speak Italian, French, English, Arabic, a bit of Spanish, a bit of German, and even less Japanese, so you can see there’s more chance of finding something because the accent wouldn’t be a problem.Finally I put every song I record of forzaoccidentale.tk, my singing group’s website (it’s in french, though). If you want to, you can hear my interpretation of Vivo Per Lei over there, but I’m warning you it’s got a big mistake in it, because I lost my nerve while going up and down with staves at the “Che come mi hanno scritto in viso” part.

Giacomo Puccini: La fanciulla del West sheet music is available for downloading in digital format.

Check out Emperor as they are quite like Andrea in tone and pitch and you may enjoy their lyrics.Hope that Helps

Another 15 year-old Bocelli fan! Yay! I’m not crazy! I can help you with lots of repertoire because most of the Broadway type stuff is written specifically for Mezzo-sopranos and Baritones. I think I definitely if you were always a fan of classical music and showtunes, you should embrace it. I advise you to check out some arias composed by Giuseppe Verdi if you plan to pursue operatic training (which I also recommend if you rebel against the bandwagon like i do,) Verdi wrote marvelous Baritone pieces, mostly in Italian. :o) Why else would there be a Verdi Baritone? heheI feel I must correct you on your claim of attaining Soprano notes. That is called falsetto and is not part of your immediate range, this is why your voice teacher classifies you as a Baritone. Here are some great Baritone solos from opera and musical theatre. I’m not knowledgeable about any “guitar” songs though.Let’s Call the Whole Thing Off – Babes in ArmsAll of You – Silk StockingsHow About You – Babes on BroadwayMountain to Sea Strand – MadridThe Guitarist Song – The Wrong PartyVision fugitive – Herodiade by Jules MassanetMinnie, dalla mia casa son partito – La Fanciulla del West by Giacomo Puccini*** “The Prayer” is one of Andrea’s best songs ever, a bilingual English/Italian collaboration with Celine Dion.youtube.com/watch?v=j3EoHz29guo

La Contestacion (Te estoy engañando con otra).wmv

Te estoy engañando con otra (la contestacion) Composicion de America Ortiz Gilda morales (La Tequilera) Email latequileracd@univision.com.

Downloadable sheet music: La Contestacion – Garza

el bueno y el malo (contestacion) alexa cheline

otra contestacion escrita por mi espero y les agrade :* dejen sus qomentarios ya saven espero merorar.

Moms birthday?? Okay, I want to make a cd for my mom on her birthday. I need pop songs or songs that have the 80s and 90s theme, it cant be rock, rap or hip hop. It can be r&b, pop, SOME COUNTRY) and on and on. I have twelve songs so far. What are some other songs i can put on?Whats “tejano”?

Downloadable sheet music: La Contestacion – Garza

Try going to yahoo music then type in some random song. Then click watch music video and this window will pop up on the right side of the window is all kinds of music that is like the same kind that you typed in.I hope I didn’t confuse you.? Good Luck!

plenty of tejano, country, 50s/60s, 70s, 80s, and dance :)here you are!TEJANOCowboy Cumbia-Javier MolinaSuavemente-Elvis CrespoHasta La Cima De Cielo-Grupo SolidoTexican Style-Los Lonely BoysHeaven-Los Lonely BoysLa Contestacion-Los Lonely BoysLo Que Yo Tengo-Jay PerezTe Quiero Te Amo-David Lee GarzaDesvelado-Bobby PulidoBailando Contigo-Emilio NavairaComo Le Hare-Emilio NavairaJuntos-Emilio NavairaLa Rama De Mesquite-Emilio NavairaDame Un Besito-IntocableNo Te Vayas-IntocableEres Mi Droga-IntocableEl Coco Rayado-Ruben VelaLa Bamba-Los LobosJuana La Cubana-Fito OlivarezUn Rinconcito de Cielo-Ramon AyalaTragos Amargos-Ramon AyalaEl Pintor-Hometown BoysLa Charanga-Fandango USAMicaela-MazzCruz De Madera-Michael SalgadoEl Tao Tao-ControlPalomita Blanca-Michael SalgadoMi Chatita-Michael SalgadoLa Carcacha-SelenaBidi Bidi Bom Bom-SelenaShhh!-Kumbia KingsOye Como Va-SantanaQuitate La Mascara-Jimmy Gonzalez y MazzLo Voy A Hacer Por Ti-MazzPor Ella (versíon pop)-IntocableQue Linda Es Lupe-Los TigrillosUn Puño De Tierra-Ramon AyalaVolver-Michael SalgadoComo La Flor-SelenaThe Ketchup Song-Las KetchupTequila-The ChampsUna Mas-Bobby PulidoEl Kranke-Albert ZamoraLa Cometa-Los Garcia BrothersLa Gallina-Fito OlivarezLa Vida Es Un Carnaval-Celia CruzLinda Chaparrita-La DiferenziaRedoblando-Los Dos GilbertosQue Metida De Pata (Cumbia Con Salsa)-Jay PerezCon Este Amor-Jay PerezDonde Andara-Emilio NavairaEl Loco Mariachi-Mariachi VargasBaila Esta Cumbia-SelenaMore Than Love-Los Lonely BoysReinalda-Campanas De AmericaCOUNTRYNeon Moon-Brooks and DunnAchy Breaky Heart-Billy Ray CyrusShe’s Everything-Brad PaisleyThe Chair-George StraitYour Man-Josh TurnerWinner At A Losing Game-Rascal FlattsAmarillo By Morning-George StraitShe’ll Leave You With A Smile-George StraitI’m Gonna Miss Her-Brad PaisleyI Loved Her First-HeartlandMy Best Friend-Tim McGrawIf Tomorrow Never Comes-Garth BrooksFriends In Low Places-Garth BrooksWho’s Cheatin’ Who-Alan JacksonTwo Piña Coladas-Garth BrooksI’m Already There-LonestarI Hope You Dance-Lee Ann WomackMy Little Girl-Tim McGrawSunshine and Summertime-Faith HillI Like It I Love It-Tim McGrawMan! I Feel Like A Woman-Shania TwainChattahoochee-Alan JacksonThis Kiss-Faith HillBye Bye-Jo Dee MessinaLife Is A Highway-Rascal FlattsWho’s Your Daddy-Toby KeithLittle Bitty-Alan JacksonMy Front Porch Looking In-LonestarMayberry-Rascal FlattsWrapped Up In You-Garth Brooks19 Somethin’-Mark WillisAmazed-LonestarAll My Ex’s Live In Texas-George StraitWe Danced-Brad PaisleyJust Got Started Lovin’ You-James OttoHoney! I’m Home-Shania TwainWhen The Sun Goes Down-Kenny Chesney feat. Uncle KrackerGood Time-Alan Jacksonmemory-Alan JacksonNo Shoes, No Shirt, No Problems-Kenny ChesneyI Cross My Heart-George StraitDoes Fort Worth Ever Cross Your Mind-George StraitYou Look So Good In Love-George StraitBe My Baby Tonight-John Michael MontgomeryUnbelievable-Diamond RioOLDIES*Blue Moon-Richie ValensEarth Angel-The PenguinsIt’s Not Unusual-Tom JonesMy Girl-The TemptationsDo You Believe In Magic-The Lovin’ SpoonfulI Want You Back-Jackson 5For Once In My Life-Stevie WonderBuild Me Up Buttercup-The FoundationsRespect-Aretha Franklin*Stayin’ Alive-The Bee GeesLet’s Groove Tonight-Earth Wind & FireDisco Medley (I will Survive, Funkytown, Last Dance, The Hustle, On The Radio)-SelenaBoogie Shoes-KC & The Sunshine BandWe Are Family-Sister SledgeShake Your Groove Thing-Peaches & HerbShake, Shake, Shake-KC & The Sunshine BandPlay That Funky Music-Wild CherryDancing In The Moonlight-ToploaderGet Down Tonight-KC & The Sunshine BandBrick House-The CommodoresABC-Jackson 5Little Bitty Pretty One-Jackson 5Can’t Take My Eyes Off Of You-Barry ManilowGrease-The Bee GeesLady Marmalade-La BelleThat’s The Way (I Like It)-KC & The Sunshine BandLet’s Get It On-Marvin GayeThis Will Be-Natalie ColeSeptember-Earth Wind and Fire*Footloose-Kenny LogginsTainted Love-Soft CellThriller-Michael JacksonLove Shack-B-52’sJesse’s Girl-Rick SpringfieldCome On Eileen-Dexy’s Midnight RunnersCenterfold-J. Gelis BandDon’t Stop Believing-JourneyMickey-Toni BasilOur House-MadnessMore Than Words-ExtremeHungry Like The Wolf-Duran DuranMy Sharona-The Knack867-5309/Jenny-Tommy TutoneTake On Me-A-HaOpen Arms-JourneyWhat Is Love-HaddawayPARTYRubberneckin’ (Paul Oakenfold’s Remix)-Elvis PresleyAll Star-Smash MouthA Thousand Miles-Vanessa CarltonHey There Delilah-Plain White TsDrift Away-Uncle KrackerDoo Wah Ditty-Zapp & RogerFergilicious-FergieParalyzer-Finger 11I’m A Believer-Smash MouthThe Sweet Escape-Gwen Stefani feat. AkonLove Song-Sara BareillesGame Of Love-Santana feat Michelle BranchSweet Home Alabama-Lynard SkynardLean On Me-Bill WithersHey! Baby-Bruce ChannelCelebration-Kool & The GangIn The Summertime-Mungo JerrySomewhere Over The Rainbow-Israel Kamakawiwo’oleLadies Night-Kool & The GangI Will Survive-Gloria GaynorCupid Shuffle-CupidYMCA-The Village PeopleCha Cha Slide-DJ CasperBunny Hop-Warren CovingtonThis Is How We Do It-Montell JordanThe Chicken DanceMambo No. 5-Lou BegaJust Dance (Canned Heat)-JamiroquaiCan’t Touch This-MC HammerShout-Isley BrothersTwist And Shout-The BeatlesStar Wars Disco-Meco MenardoGonna Fly Now-Bill ContiBoot Scootin’ Boogie-Brooks and DunnSummer Nights-John Travolta and Olivia Newton JohnGreased Lightning-T-BirdsYou’re The One That I Want-John Travolta and Olivia Newton JohnWe Go Together-Pink Ladies and T-Birds

CON EL CORAZON EN LA MANO – GUILLERMO FERNANDEZ

LETRA; Hoy me dices que te vas que te marchas de mi vida que es la unica salida y que tengo que olvidar que me voy acostumbrar que de amor nadie se muere y q…

Bebu Silvetti (La Clave Del Amor) sheet music is available for downloading in digital format.

RICARDO MONTANER-QUE GANAS

Ricardo Montaner nació el 08/09/1957 en Argentina Su verdadero nombre es Héctor Eduardo Reglero y nació el 8 de septiempre de 1957, en el barrio de Valentín …

anymore song like this? yesterday i was listening to nessun dorma and there was something about this song that gave me a great feeling of peace. it was really nice to listen that song. does anyone know mores songs like this?

You can download the score from the video: La Boheme. Vecchia zimarra – Puccini

“Un bel di vedremo” (“One Fine Day”) from the same composer Puccini’s “Madame Butterfly”: youtube.com/watch?v=AR0SlCTj1Bo&feature=related Enjoy, Alberich

How nice! A chance to recruit another Pucciniphile!I don’t know what mood these arias will create, but here are Puccini’s best-known arias:<<>>In quelle trine morbide<<>>Che gelida maninaMi chiamano MimiQuando m’en voVecchia zimarra, senti<<>>Un bel di vedremo (Alberich mentioned this one.)La Morte di Butterfly (The Death of Butterfly)<<>>Recondita armoniaVissi d’arteE luvecan le stelle<<>>Chi il bel sogno di Doretta<<>>O mio babbino caro<<>>Nessun dorma (You mentioned this one.)Signore, ascoltaLa Morte di LiuIncidentally, what inspired Puccini to become an opera composer was the aria “Celeste Aida” from Verdi’s Aida.Try that one, too.I hope I can persuade you to listen to a few entire operas.When an aria is excerpted from an opera, something is lost.La Boheme is the most emotional.Tosca has the most exciting plot.La Rondine is the most melodious.Madama Butterfly and Turandot are the most exotic. Girl of the Golden West doesn’t have any well-known arias, but the orchestra plays a powerful role, especially in Act II.Gianni Schicchi is Puccini’s only comedy.Turandot is the loudest.All twelve of Puccini’s operas have wrought my lacrimal glands at least once.

Good Opera songs for a true Bass? I’ve always loved singing and am now a Vocal performance major at my university, and have been told I have a lot of potential and natural talent. Unfortunately, I am lacking a lot of opera experience seeing how I thought all through high school I would be an instrumentalist. In addition, there aren’t many Bass Arias (yes, they exist) and so if anyone knows of a [few] good Bass Aria[s], please let me know about it!! Thank youOk, I thought I should add a little more information. I didn’t mean Basso Profundo, but I’m glad people know the different bass voice types!! It’s encouraging. I’m thinking I’m a Basso Buffo, haha, comic bass. A previous voice teacher thought I was a lyric baritone when I was younger, so I’ve practiced a lot of baritone stuff, and bass baritone rep is great too! Thanks for that. And all the song suggestions so far have been great!! Thank you
All the aria’s of Sarastro from Mozarts Zauberflöte. Goes to a low D in one aria. Really beautiful!Or this one! Io che nell’otio nacqui e d’otio vissi from Book 8 of Madrigals by Monteverdiyoutube.com/watch?v=beaAYhtsZdg

I am no opera buff, but a few bass arias that come to my mind:Beethoven – ‘Hat Man nicht auch Gold beineben’ (Fidelio)Bellini – ‘Ah! del tebro’ (Norma)Gounod – Mephistopheles’ Serenade (‘Vous qui faîtes l’endormie’) (Faust)Mozart – ‘Madamina! il catalago è questo’ (Don Giovanni)Mozart – ‘In diesen heil’gen Hallen’ (The Magic Flute)Mozart – Non più andrai (The Marriage of Figaro)Musorgsky – Pimen’s Aria; Clock Scene; Varlaam’s Song (Boris Godunov)Puccini – ‘Vecchia Zimarra’ (La bohème)Tchaikovsky – Gremin’s Aria (Eugene Onegin)Verdi – Quand’ero paggio (Falstaff)Wagner – ‘Mögst du, mein Kind, den fremden Mann willkommen heissen’ (The Flying Dutchman)There are plenty more, but they won’t come to mind at the moment.

The Russian repertoire is a good place to look. Try the Death of Boris, from Mussorgsky’s Boris Godunoff, for example. A good way of tracking additional basso profundo material would probably to look through the repertoires of exceptional basses like Nicolai Ghiaurov, Boris Christof or Fyodor Shalyapin. (Bear in mind that transliterations of Cyrillic names will vary.)Doing that myself brings up such possibilities as Gremin’s aria from Tachikovskiy’s Evgenyi OnyeginElla gaimmai m’amo from Verdi’s Don CarloCome dal ciel precipita from Verdi’s MacbethLa Calunnia from Rossini’s Barbiere di SevigliaHowever, all of these are at least arguably bass-baritone rather than basso profundo, so you might want to stick to the Mussorgsky, for a start. And don’t attempt the Rossini unless your Italian is pretty good – it is a real tongue-twister (and has certainly defeated me). Personally, I love the Don Carlo and Onyegin arias, and have sung the former at every opportunity.

If you are still lacking some experience (i.e. training), you might want to ask your voice instructors for some arias that would be suitable for you current abilities and voice. Something too easy might not challenge you and something too hard would only frustrate you and maybe cause some vocal strain.Now that I’ve posted my “disclaimer”–Del gave you several great arias. Mozart wrote a lot of big opera roles for bass and bass-baritones–more than he did for tenors. However, nothing beats Russians when it comes to music written for basses. Beside the Eugene Onegin, try these–see if your music department might have this collection handy. (Look in the library—plus if this gives you any ideas, you can track down the sheet music by individual arias or by operas). The lyrics are in Russian, transliterated Russian, and English lyric version.sheetmusicplus.com/title/Russian-Operatic-Arias-for-Bass/7431277And I like this Handel aria for bass because it’s fun. It gives basses a chance to show off some flexibility usually thought limited to only sopranos and tenors. youtube.com/watch?v=WTjksYe2KvIartsongcentral.com/2008/handel-i-rage-i-melt-i-burn-o-ruddier-than-the-cherry/There are quite a few Handel arias (both from operas and oratorios) that you may want to try, but they aren’t necessarily always sung by basses. Sometimes they are sung by baritones, bass-baritones, and even countertenors and female singers (an octave up or more).For example–“Or La Tromba” from Handel’s “Rinaldo”youtube.com/watch?v=oaNR30akiUsyoutube.com/watch?v=mUcfWx7uh9k&feature=relatedAlso from “Rinaldo”Sibillar gli angui d’Alettoyoutube.com/watch?v=LMDPM5NzNYkBoth “Why Do the Nations?” and “The People That Walked in Darkness” from “Messiah” are other good bass arias that you might try. Don’t ignore other classical vocal works like oratorios and art songs. Art songs are a good way to expand your performance and singing skills, and have an added advantage that you can pick your own key while you are usually expected to sing arias in whatever key they are written (there are exceptions–some arias will be transposed for recital material or for use in voice training).

Al Green Let’s Stay Together

Live From 1972 Let’s stay Together Composição: W. Mitchell, Al Jackson, Al Green Let’s Stay Together I’m, I’m so in love with you Whatever you want to do It’…

See and download W. Mitchell (Al Green: L-O-V-E) sheet music

Al Green – Belle

The Belle Album is a studio album by soul musician Al Green. It is his first album recorded without longtime producer Willie Mitchell, owner of Green’s forme…

? “(Love is) The Tender Trap” – Frank Sinatra

“(Love Is) The Tender Trap” is a popular song composed by Jimmy Van Heusen, with lyrics by Sammy Cahn. ?????????????????????????????????????? Audio copyright…

Download and print PDF scores of Jimmy Van Heusen: (Love Is) The Tender Trap

Frank Sinatra – The Tender Trap

From the Soundtrack of The Warner Bros Motion Picture “The Tender Trap”, Music & Lyrics By Jimmy Van Heusen & Sammy Cahn.

Bastien Religious Favorites No.78 African Folk Kum Ba Ya (P.100)

Your Complete YouTube Piano Exam Video Playlists ?? All videos were taken by myself. Email alanchan1024@hotmail.com if you have the missing books / pieces…

Download sheet music pdf: Kumbaya (music Folk)

Play Some Kumbaya Will Ya?

An abstract look into the dangers of over exposure to psychadelic hot dogs and bad folk music. Kumbaya can be lethal in the wrong hands!! Special thanks to b…

What does ‘lets just sit around the camp fire holding hands while singing kumbaya’ mean? This girl constantly says it when something bad happens and someone suggest abstupid solution. She never means it literally but I’ve heard people say so what does it mean?

Download sheet music pdf: Kumbaya (music Folk)

it basically means you’re just going to sit around and pretend everything is ok when it’s clearly not

LITERAL:Without offering a long description of the various stories about the origins of the word and the song “Kumbaya,” it is often said to have had its origins in the United States during spiritual revivals in the 1930s. It became a popular song at summer camps; and it gained popularity with the folk music revival in the United States during the late 1950s and 1960s. It is associated with the “civil rights movement” and “peace movement” of those decades as a song of peace and unity. HOWEVER, the song, its meaning and context have more recently been used to insult. The insult implies naiveté and/or sanctimoniousness. The use that you describe is the more recent. As you have described its use, it is an insult, probably sarcastic.SARCASTIC 1.The comment, “let’s just sit around the camp fire holding hands while singing ‘Kumbaya'” is typically used when there is a dispute; and an antagonist describes a peacemaker as hoping to solve the dispute by sitting around, holding hands, and singing “Kumbaya.” The remark is sarcastic and suggests that the peacemaker is naïve and incapable of resolving the dispute; that the person being described can do little more than “sit around (a camp fire), holding hands, and singing ‘Kumbaya.'”SARCASTIC 2.The comment has also become an insult directed at a person and/or idea said to prefer to mask a serious disagreement with a stupid, feigned or fake attitude of friendliness (i.e., peace when there is none).For versions of the lyrics of the song “Kumbaya,” please see:en.wikipedia.org/wiki/Kumbayalyricsfreak.com/p/peter+paul+mary/kumbaya_20107820.htmlFor verification and an examination of the change in use of the words you note in your question, please see:npr.org/2012/01/13/145059502/when-did-kumbaya-become-such-a-bad-thingarticles.latimes.com/2012/nov/03/local/la-me-banks-obamarace-20121103urbandictionary.com/define.php?term=kumbaya%20moment

im really nervous about auditioning? i woul dneed to sing, any idea of what song(s) would be good choices to show off the talent in someone’s voice? songs that everybody knows of course, and are upbeat and exciting!THAAAAAnk you! =)
What are you auditioning for?What’s your vocal range?How much time do you have to practice?What type of music do you most often listen to?

For a deep voice you might want to consider some older songs (research old tyes of music online) for a higher pitched appraoch you could try some pop. Glee is a show that mixes both old songs with new twists, you might find some inspiration there

Im thinking party in the usa by miley cyrus,girls just wanna have fun by either cindy lauper or miley cyrus or dont stop believing by journey im a performer to (singing) and these songs really show off my voice in a positive way

you could sing a song by keri hilson like : slow dance, energy, or knock you downRude boy by rihanna . or any rihanna song

You don’t say what kind of voice you have. Are you an alto or a soprano? Do you have a strong voice of a soft voice? It is really hard to say. Some songs are just too hard for people who are not trained, as popular as they may be. I doubt anyone uses this in auditions anymore, but singing “Memory” from Cats is just too hard a song for the average singer. On the other hand, something like a folk song (think “Kumbaya”) is something anyone can sing and is almost saying “I give up”. Think about songs that you enjoy singing, that when you sing them they seem to be in about your range. Perhaps a mid-tempo pop-rock tune if you have a deeper voice (most pop music is tenor, male or female) or an older (pre-70s) leading lady standard if you have a high voice. After the 70s, Broadway show tunes got much more complex melodically. Sorry for being vague, but I don’t know what you find familiar, but these guidelines might help you narrow down your choices.

Which one is harder, Chopin Ballade 4 or Schumann Kreisleriana?

Check out digitalized sheet music for Schumann: Kreisleriana

Both are just as hard. Schumann’s piece : it is not easy to know Schumann’s thoughts in this piece. He is quite an enigmatic composer. Before tackling these pieces, try Chopin’s Ballade 1-3 before trying these two pieces.For Chopin’s piece, there are many technical and emotional hurdles to surmount. It is a very rich and complex piece. Practise the fast portions slowly first, get the rhythm and get the confidence. There are many hidden melodies in Chopin’s Ballade 4.Both pieces will give you a rewarding time to learn them. It may take 3 to 6 months to practise this piece. Mastering them are not easy.

What a question! – Chopin’s hardest solo piano work excepting the sonatas/concerti, (possibly his greatest piano work) and the audience’s favourite Schumann solo work – Kreisleriana. In terms of technical difficulty , the Ballade wins because of continuous demands on nearly all aspects of a pianist’s technique – jumps , thirds(tortuous in the end), huge chords, runs .. it goes on. It is also , very complex as far as Chopin goes musically , and analysis of the work yields a few surprises – things not normally found in Chopin.However , I would go for Kreisleriana overall , because I think it is one of the hardest piano solos to execute , up there with the Hammerklavier and the Wanderer Fantasy. There is so much that can be communicated in all the movements, particularly in 4. and there are are so many styles and moods that it wins hands down overall. I recommend Josef Hofmann’s recording for reference and I have uploaded it on Rapidshare , if you want I’ll send you the link.

Which works by Schumann can you recommend (Piano)? I really want to find another composer which I adore. I’ve been playing the Chopin Nocturnes for a while and they’re beautiful, mournful sometimes. I like that aspect of classical music. Alot of people have been talking about Schumann and I really want to know more about him and his works for the piano, anyone willing to answer?Thanks
Kinderszenen, Carnaval, Pappillons, DavidsbundlertanzeThose will all give you a taste of Schumann.If you like Chopin then you should check out the Nocturnes of Faure, and the Lyric Pieces of Grieg.

Ah, don’t you know Schumann is my favorite! Perhaps start with his piano concerto. Opus 54.Schumann was the best at writing pieces that are a collection of shorter musical ideas, rather than experimenting with long drawn out musical forms such as sonata form. Even the first movement of his piano concerto is not quite a perfect sonata, but closer to a theme and variations structure.After listening to his piano concerto, I’d suggest you listen to the Carnaval. It is a collection of 21 (if memory serves me right) little pieces each about a minute or two long. Some movements are very beautiful and others whimsical but all wonderful. After that I’d listen to his symphonic etudes, a collection of theme and variations and etudes. It represents one of Schumann’s most tragic musical compositions. The variations and theme tend to provoke such beautiful sorrow and it all ends with an utterly triumphant finale. His second piano sonata would serve you well after that. It is a rather popular work by him. Very beautiful.You should be getting a good idea of Schumann’s pianistic style by now, but what you must listen to is his Fantasiestuke, opus 12, a collection of 8 pieces.For one of the most musically and technically demanding compositions of all time, listen too his Kreisleriana, opus 16. A seriously amazing piece.His fantasie in C major, opus 17 is also amazing.Good luck.–Schumiszt

Anthing you know about Robert Schumann?
(born Zwickau, 8 June 1810; died Endenich, 29 July 1856). The son of a bookseller, he early showed ability as a pianist and an interest in composing as well as literary leanings. He was also enthusiastic over the writings of ‘Jean Paul’ (J.P.F. Richter), girl friends and drinking champagne, tastes he retained. In 1821 he went to Leipzig to study law but instead spent his time in musical, social and literary activities. He wrote some piano music and took lessons from Friedrich Wieck. After a spell in Heidelberg, ostensibly studying law but actually music, he persuaded his family that he should give up law in favour of a pianist’s career, and in 1830 he went to live with Wieck at Leipzig. But he soon had trouble with his hands (allegedly due to a machine to strengthen his fingers, but more likely through remedies for a syphilitic sore). Composition, however, continued; several piano works date from this period. In 1834 Schumann founded a music journal, the Neue Zeitschrift für Musik; he was its editor and leading writer for ten years. He was a brilliant and perceptive critic: his writings embody the most progressive aspects of musical thinking in his time, and he drew attention to many promising young composers. Sometimes he wrote under pseudonyms, Eusebius (representing his lyrical, contemplative side) and Florestan (his fiery, impetuous one); he used these in his music, too. His compositions at this time were mainly for piano: they include variations on the name of one of his lady friends, Abegg (the musical notes A-B-E-G-G), the character-pieces Davidsbündlertänze (‘Dances of the league of David’, an imaginary association of those fighting the Philistines), Carnaval (pieces with literary or other allusive meanings, including one on the notes A-S-C-H after the place another girl friend came from), Phantasiestücke (a collection of poetic pieces depicting moods), Kreisleriana (fantasy pieces around the character of a mad Kapellmeister) and Kinderszenen (‘Scenes from Childhood’). Affairs of the heart played a large part in his life. By 1835 he was in love with Wieck’s young daughter Clara, but Wieck did his best to separate them. They pledged themselves in 1837 but were much apart and Schumann went through deep depressions. In 1839 they took legal steps to make Wieck’s consent unnecessary, and after many further trials they were able to marry in 1840. Schumann, understandably, turned in that year to song; he wrote circa 150 songs, including most of his finest, at this time, among them several groups and cycles, the latter including Frauenliebe und -leben (‘A Woman’s Love and Life’) and Dichterliebe (‘A Poet’s Love’), which tells (to verse by Heine) a tragic Romantic story of the flowering of love, its failure and poet’s exclusion from joy and his longing for death. Schumann, as a pianist composer, made the piano partake fully in the expression of emotion in such songs, often giving it the most telling music when the voice had finished. In 1841, however, Schumann turned to orchestral music: he wrote symphonies and a beautiful, poetic piece for piano and orchestra for Clara that he later reworked as the first movement of his Piano Concerto. Then in 1842, when Clara was away on a concert tour (he disliked being in her shadow and remained at home), he turned to chamber music, and wrote his three string quartets and three works with piano, of which the Piano Quintet has always been a favourite for the freshness and Romantic warmth of its ideas. After that, in 1843, he turned to choral music, working at a secular oratorio and at setting part of Goethe’s Faust. He also took up a teaching post at the new conservatory in Leipzig of which Mendelssohn was director. But he was an ineffectual teacher; and he had limited success as a conductor too. He and Clara moved to Dresden in 1844, but his deep depressions continued, hampering his creativity. Not until 1847-8 was he again productive, writing his opera Genoveva (given in Leipzig in 1850 with moderate success), chamber music and songs. In 1850 he took up a post in Düsseldorf as town musical director. He was at first happy and prolific, writing the eloquent Cello Concerto and the Rhenish Symphony (no.3: one movement depicts his impressions in Cologne Cathedral). But the post worked out badly because of his indifferent conducting. In 1852-3 his health and spirits deteriorated and he realized that he could not continue in his post. In 1854 he began to suffer hallucinations; he attempted suicide (he had always dreaded the possibility of madness) and entered an asylum, where he died in 1856, almost certainly of the effects of syphilis, cared for at the end by Clara and the young Brahms. *dont use wikipedia only becuz da info isnt always accurate.**try different links from google*also this info.Schumann’s parents were not musical but they encouraged his interest in music with Piano lessons from the age of 10. However his family was later to be beset by tragedy. When Schumann was in his teens, his father died and his sister committed suicide in quick succession, events that were to have a deep impact on the young musician. Initially music was to take a back seat in his life. For his main subject he studied law at Leipzig while simultaneously continuing his music studies. One of his music teachers was Friedrich Wieck whose daughter Clara showed a great talent at the piano while she was only 9 years old. A further tragedy was to hit Schumann when a mishap damaged one of his hands and spoiled his chances as a pianist. Some accounts blame a device he used to strengthen his fingers, but other theories suggest mercury poisoning as a side effect of his syphilis treatment. After the accident, Schumann was to concentrate more on composing.Schumann maintained his association with the Wiecks and when Clara was of the right age, he sought to marry her but her father forbade it. Following a legal action, Schumann was able to marry her shortly before her 21st birthday. Although Clara was extremely talented in her own right as both pianist and composer, her career became secondary to that of her husband’s and there are suggestions that Robert’s jealousy was a factor in constraining her career. Nevertheless as well as bringing up three children Clara played a significant role in classical music, through her expert advice and encouragement to other composers including Brahms for example. Although Schumann composed much worthwhile music, he suffered from mental illness with periods of self-doubt and suicidal depression. Following a suicide attempt he was committed to an asylum where he was to die two years later suffering from the later stages of symphilis. Schumann’s career and works: Robert Schumann was a composer firmly of the Romantic period, often adopting a free “poetic” style for his works. They have a structure and logic, yet represent an expressive “stream of consciousness” rather than being bound by Classical views of form. During his brief career, he worked as a piano professor at the Leipzig Conservatory under Mendelssohn and also later as a conductor. Starting much later than some other composers, he was in his thirties before he started to compose larger concert works, but he completed four symphonies, a well-known piano concerto, some chamber works, songs and song cycles and a wealth of shorter works for piano. Schumann had a great interest in literature, philosophy and the arts. He was also accomplished in journalistic circles as a music critic, and in that capacity he recognised and promoted the talents of Chopin, Brahms and Berlioz.Schumann’s Piano Quintet is highly recommended for the breadth and complexity of its emotions. It was also ground-breaking as the first important work of this kind by a major composer. The instrumentation consists of a normal String Quartet (2 violins, viola and cello) plus a piano. Schubert’s earlier Trout Quintet was for a different combination of instruments which included the double bass. Several later composers were to follow Schumann’s lead including Brahms, Dvorak, Faur Elgar and Shostakovich.